Edited book
Geert J. Verhoeven, Jona Schlegel, Benjamin Wild, Stefan Wogrin, Massimiliano Carloni
ISBN: 979-8394601279, Urban Creativity, Lisbon, 2023
ISBN: 979-8394601279, Urban Creativity, Lisbon, 2023
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APA
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Verhoeven, G. J., Schlegel, J., Wild, B., Wogrin, S., & Carloni, M. (2023). Document | archive | disseminate graffiti-scapes. Proceedings of the goINDIGO2022 international graffiti symposium. Lisbon: Urban Creativity.
Chicago/Turabian
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Verhoeven, Geert J., Jona Schlegel, Benjamin Wild, Stefan Wogrin, and Massimiliano Carloni. Document | Archive | Disseminate Graffiti-Scapes. Proceedings of the goINDIGO2022 International Graffiti Symposium. ISBN: 979-8394601279. Lisbon: Urban Creativity, 2023.
MLA
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Verhoeven, Geert J., et al. Document | Archive | Disseminate Graffiti-Scapes. Proceedings of the goINDIGO2022 International Graffiti Symposium. Urban Creativity, 2023.
BibTeX Click to copy
@book{verhoeven2023a,
title = {Document | archive | disseminate graffiti-scapes. Proceedings of the goINDIGO2022 international graffiti symposium},
year = {2023},
address = {Lisbon},
publisher = {Urban Creativity},
series = {ISBN: 979-8394601279},
author = {Verhoeven, Geert J. and Schlegel, Jona and Wild, Benjamin and Wogrin, Stefan and Carloni, Massimiliano},
howpublished = {}
}
Abstract
goINDIGO 2022 has managed to bring various disciplines together. That is why the editors hope that the contributions in these proceedings can collectively be considered a proper methodological status quo on the inventorying and dissemination of graffiti records. Because most academic efforts focus on the analyses of graffiti, these proceedings also hope to kickstart further discussion and interdisciplinary scholarly action on the (need for) proper documentation and dissemination of graffiti. Critical, maybe even uncomfortable, reflections like those vented in this volume form an essential part of this discourse.
goINDIGO 2022 has managed to bring various disciplines together. That is why the editors hope that the contributions in these proceedings can collectively be considered a proper methodological status quo on the inventorying and dissemination of graffiti records. Because most academic efforts focus on the analyses of graffiti, these proceedings also hope to kickstart further discussion and interdisciplinary scholarly action on the (need for) proper documentation and dissemination of graffiti. Critical, maybe even uncomfortable, reflections like those vented in this volume form an essential part of this discourse.
